modulation

Effects Projects

CMOS Eisley – CD4049 Tremolo – Schematic

After much delay (but no echo), I present a meager contribution to the world of DIY effects pedals: the CMOS Eisley CD4049 Tremolo. It uses a single CD4049 IC for both audio path and low frequency oscillator (LFO), yet remains tick-free (a frequent problem when sharing audio and LFO on a single chip). It’s got Speed, Depth, and Volume controls, and uses 5 of the 6 inverter gates in the CD4049. The schematic shows a vactrol, but you can use an LDR + LED in a discreet setup and it should work just fine (as long as the LDR can get to around 1M max dark resistance).

CMOS Eisley

This version is square-wave only. I tried several options for also offering triangle wave option, but couldn’t get them both to place nice in one LFO. If you want a smoother (but never really totally smooth) waveform, add a very large cap (at least 2200uF) between the junction or R8 / R9 and ground. This will impact the overall speed range of the LFO, so you’ll also need to somewhat adjust some of the other passives to get speeds that are all in a usable range again.

The spare inverter could probably be used to buffer the vactrol’s LED. It doesn’t really need it, but it would be an interesting exercise to add it, and would likely make the triangle wave option more stable.

The idea came from stumbling on to an old article about using CMOS inverters to build oscillators. And since I had long known they could also be used for audio amplification, I figured maybe a tremolo would work. And it does, much to my surprise.

Frankly, this is far more of a “hey, I wonder if this will work” than it is a truly useful circuit. There are better tremolos out there with only slightly higher part counts (such as the Shoot the Moon, by yours truly). But, it does it’s job well as a square-wave tremolo, and as far as I know there’s nothing out there quite like it in terms of circuit topology. Give it a go on breadboard and see for yourself. It’s not too bad as a breadboard build.

Pedals for Sale

Actually, it’s a different tremolo coming first: CMOS Eisley

Just got these boards in today and have begun the first prototype build. It’s an optical tremolo with both the audio path and LFO made from a single CD4049 CMOS hex inverter. Despite having it all function in a single IC, there is no LFO ticking in the audio. Two of the inverters are the audio path (input and output amplifiers), and three more inverters are arranged as a low-frequency oscillator. And the last inverter is unused (I may do another iteration later that uses this last inverter to add a bit of grit/drive). Read More

Pedals for Sale

Coming Soon: Tap Temp Optical Tremolo

I’m pleased to announce the first of a few pedals that will be hand built by me in small batches and sold as cheaply as I can manage. There are cheap Chinese pedals galore these days, but I want to try and get as close to I can to slave-labor prices but made in the USA. Think of it as “shabby chic” or maybe “bespoke” rather than old-school “boutique.”

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Effects Projects

The Wahscillator – An LFO-driven Filter

I always liked the original ROG Phozer’s base sound, but the LFO wasn’t really that useful at lower speeds. So I took the basic idea, which is the Tim Escobedo’s Idiot Wah + LFO, and kicked it up a notch. Instead of the Phozer’s input JFET buffer, I went with an op amp buffer, and since there’s an extra amp in the package, I also added an output buffer. The LFO is the Shoot The Moon tremolo. For the variable resistor element, just about any of the usual suspects will work: LED/LDR combo, vactrol, or even one of those optical ICs such as the H11F1. And that’s how the Wahscillator came to be. Read More

Effects Projects

Shoot the Moon Tremolo

The Shoot the Moon Tremolo is an optical tremolo originally based on the excellent Tremulus Lune circuit by 4MS/CommonSound. The audio path is similar, but the LFO has been simplified to three controls: Speed, Depth, and Shape (wave shape). The power supply section has also been overhauled to provide better electrical isolation between the LFO and the audio portions of the circuit, and both sections are physically isolated as well. The result is a dead-quiet tremolo that goes from triangle wave to almost square wave (that is, smooth to choppy).

There is also a Gain control so that the output of the circuit can be set for unity gain; or it could be used as a boosted tremolo, if desired. Additionally, with the Depth at minimum and Boost set to greater than unity gain, the circuit can be used as a handy-dandy op amp booster with no amplitude modulation at all.

Download the Shoot the Moon Tremolo file pack.
Contains: Schematic image, PCB layout image, legacy PCB build guide document with notes, and Eagle CAD files.

Effects Projects

DuoVibe – Optical Vibe / Phaser Project

The DuoVibe is an optical vibe / phaser and is yet another expansion on Tim Escobedo’s “Wobbletron” circuit snippet first published in 2005 (which is also very similar to the basic phase shift stages in the classic Univibe circuit). I have done several iterations on this cool little building block snippet over the years, and I feel that this one is a nice compromise between simplicity and functionality.

The DuoVibe is a two-stage optical vibe circuit than can also cop subtle phaser tones. The LFO is modified from the Shoot the Moon Tremolo (itself derivative of the Tremulus Lune) and is capable of triangle wave and near-square wave output. The pitch bend in vibe mode is discernible but not capable of “seasick” wobble. With the depth cranked, you can think of it as a sort of “tremolo with pitch funk going on” kind of thing.

There is a Vibe/Phase Mode switch, the name of which indicates its function and purpose. This switch simply toggles a feedback filtering cap value, but is useful despite the simplicity. See the mods section in the downloadable file pack below.

Download the DuoVibe file pack.
Contains: Schematic image, PCB layout image, legacy PCB build guide document with notes, and Eagle CAD files.

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